Dunkirk is, so far, the best of this Summer’s big hitters. Engineered to within an inch of it’s life by Nolan, the film tells three separate stories (land, sea and air, spanning one week, one day and one hour respectively) that intersect during the evacuation. The film succeeds because it tells a visual story that would … Continue reading Dunkirk (2017)
If we’re being honest, once you strip away the technical wizardry (and it really is), War for the Planet of the Apes (2017) is all rather too familiar. It feels like a film cobbled together from parts of more energetic and original genre movies. Its being spoken of as the antidote to the rest of … Continue reading Monkey Business
90 – 100 mins of Spider–Man: Homecoming (2017) are one of the best movies that Marvel has made, the remainder of the 133 min runtime is filler, most of it featuring Robert Downey Jr. It doesn’t kill the film but it does make it drag and serves as a reminder that Marvel’s worst tendencies are … Continue reading Spider-Man: Homecoming (2017)
Hidden Figures (2016) is good old fashioned Hollywood razzle-dazzle. It takes a little known story, mixes in some smart poetic licence and instantly likeable performers, and turns out a belting piece of mainstream entertainment. There is no doubt that Hidden Figures is precision engineered to pull at your heart but it is saved from being … Continue reading Hidden Figures (2016)
I've just worked my way through the available videos in Neill Blomkamp's Oats Studio project on YouTube and I think they're really worth your time. Like his earlier short films all the videos are full of ideas and wonderful / haunting images, and their incomplete concept feel is part of the charm. Unlike his feature … Continue reading Proof of Concept
I noticed last night that Micheal Mann's The Keep (1983) is currently available on Netflix UK. Despite being screened occasionally on Film4 this is welcome news for anyone still clinging onto their VHS or, like me, their poor laserdisc to DVD copy. Unlike the Amazon rental the Netflix version retains the widescreen format even if … Continue reading The Keep (1982) is on NetflixUK.
I liked I, Daniel Blake (2016). It's a good film that talks to ideas that I buy into; that there needs to be a social safety net and that people can be easily broken against institutions, especially when those in charge of them seem more interested in dismantling them and stigmatising those that need to access them. … Continue reading I, Daniel Blake and was anyway.
Moments can lift or sink a film. Ten seconds can make ninety minutes seem like time well spent or kill everything that went before. Last night I watched Bone Tomahawk (2015) and Rogue One: A Star Wars Story (2016) and for better or worse the moments were in full swing. Bone Tomahawk is a rather slight western tale … Continue reading All about the moments…
With a heap of amazing visuals and an even more interesting cast, Dr Strange (2016) falls down because it just isn't, not in the slightest. When we enter the Mirror Dimension all we find is the same 'brilliant man undergoes a superficial change and remains brilliant' story staring back at us and anything that is interesting merely … Continue reading Like being stuck in a loop.